Along with several fictional characters, starting with the narrator, "Blue Hill" features some real-life people -- Jack Nicholson, for example, albeit in fictionalized form. To learn more about the book, which publishes on October 6 - and to preorder in audio, Kindle or paper formats - visit http://www.gwaynemiller.com/books.htm
The crowd was hushed. You could see them glancing around, nervously, a case of mass suspicion. I looked at them looking and saw—my number-one fan, the tall skinny kid who’d wanted Ultra Bloodfest.
“It’s him!” he shouted, pointing at me.
“The crazy old guy!” his friend added.
“HE’S THE SOCIETY STALKER!”
The boys looked terrified. They looked like I was about to
eat their livers, here in view of two hundred people—and then they ran,
screaming as they ripped through the crowd.
In an instant, the place was bedlam. Kids shrieked as
mothers tried to get them to safety. Elders fainted. And when I bolted, a
blue-uniformed security guard decided it was his moment to become a hero. You
know the type—a twenty-something high-school dropout entrusted with a loaded sidearm
and carrying a boatload of attitude.
“Stop!” he shouted.
I plowed into the scattering crowd.
“Stop or I shoot!”
That only happens in movies, I thought.
I didn’t stop.
It didn’t happen only in movies: Our intrepid hero fired a
warning shot over my head.
And then another, and another, until his magazine was empty.
The bullets must have hit a power line because bulbs blew
and the ceiling started smoking and the mall went dark. Alarms were ringing and
people were crying and screaming and Christ knows why, but the fire sprinklers
were sprinkling—and I kept on going, past stores, down a stopped escalator,
outdistancing the guard, across a promenade and into the enclosed walkway that
connects Copley Place with the Prudential Center, which is next to the Sheraton,
where I was staying.
I was being pursued.
Not by the guard—that slug had fallen by the wayside—but by
a young man with a fancy camera. I never did learn if he was an off-duty news
photographer, or an intrepid freelancer, or just some feckless passerby.
Whoever, he wanted my picture. Wanted dozens of them! A paparazzi, of all
things! And an athlete, to boot—a sinewy young man in Nikes who surely ran
marathons! He was gaining quickly on me when, as impulsively as I’d done
anything in that season of impulse, I stopped and dropped my trousers. Mooned
him as he clicked away.
“Is that what you wanted?” I said.
Before he could answer, I snatched the camera from him,
opened it and exposed the film. Then I threw his camera onto the floor. It
shattered and the flash exploded.
I ran into the Prudential Center and ducked into an
elevator.
The doors closed.
I was going down.
“Shit,” I said.
My room was on the twenty-third floor.
The elevator stopped at the parking garage. I was about to hit the button for my floor when I noticed a magnificent black ‘30s roadster. A distinctive-looking man dressed in a white three-piece suit and wearing a tan fedora was behind the wheel, smoking an unfiltered cigarette.
By God, it was Jack Nicholson! Driving the car he drove in Chinatown!
He smiled when he saw me. Evidently, he’d been waiting for my arrival.
“Take a load off your feet, kid,” he said, opening the
passenger door.
I got in.
“What happened to you?” he said, examining my face. “Don’t
tell me the old liver’s giving out.”
The cream had created a tan in streaks, as was evident on
inspection. Close on, the overall impression was jaundice.
“It’s a long story,” I said.
“Don’t I know,” Nicholson said. “I’ve been following you on
TV.”
“Then you know why I couldn’t make the Knicks.”
“Disappointed as I was, I understood.”
I noticed Nicholson had a flask cradled between his legs.
“Johnnie Walker Red,” he said. “Good for what ails you.”
He offered me the bottle. I took a swig and thanked him.
“Don’t mention it,” he said. “Cigarette?”
He opened a silver case and I took one. He lit it. I hadn’t
had a cigarette since Venice Beach.
“I’m lucky I made it out of there alive,” I said, inhaling
deeply.
It was a Camel. It tasted wonderful.
“Tough audience,” Nicholson agreed, “but aren’t they all?
They love you when you’re up—and when you’re down, you might as well be wind
from a duck’s ass.”
It was J.J. Gittes’ best line in Chinatown.
“Look how they crucified Roman Polanski,” Nicholson said.
“Or Randall Patrick McMurphy.”
“Exactly. All I can say, kid, is your story’d make a hell of
a movie.”
“I suppose it would,” I said, modestly.
“Call it My Adult Life or Blue Hill or Deep
Blue, something darkly ironic like that. Or 1997, if you want to
capture the zeitgeist of the era and quite an era it is. You’d have the critics
eating out of the palm of your hand.”
I said: “The only issue is: Would it be a comedy or a
tragedy?”
“Neither,” Nicholson said. “It would be a farce. What a
silly ass you’ve become, if you’ll pardon the pun.”
I was crestfallen.
My face must have given me away, because Nicholson added:
“You haven’t lost your sense of humor, have you, kid? That
was a joke! As for tragedy or comedy, it would be both. You’re talking
Hollywood. Nuance means nothing out there. Think Oscar. We’d go for the big
lights and forget the rest.”
He took a long, loving swallow of Johnnie Walker.
“Only one person,” he said, “would do justice directing:
Robert Altman.”
“Not me?”
“You’re too close to it, kid. Not that you don’t have what
it takes, ‘cause you do. Your day will come.”
“Thanks.” I smiled.
“Know who’d have to play you?” Nicholson continued.
“Sure I do,” I said. “You.”
“A gentleman you are,” Nicholson said with that shit-eating
grin I adored, “a casting agent you are not. I’m a little past that now, kid.”
“No, you’re not. You look the same as you did in Cuckoo’s
Nest.”
But he didn’t. Off screen, up close, in the unforgiving
fluorescent light of an underground garage, you could see gray roots and what
probably were scars from plug transplants. I saw his eyes, the flesh around
them especially, and I knew why he always went out in shades. Surgery may have
ameliorated all those years in Hollywood, but it couldn’t erase them.
And if I’d had a time-travel machine, I would have seen the
sad last chapter of his life, when he suffered from Alzheimer’s disease, his
memories and long career achievements scrubbed from his mind, as if they had
never happened.
“God bless you,” Nicholson said. “I was thinking more along
the lines of Tom Hanks.”
“I’m flattered.”
“The big question is who’d do justice to Allison. I kind of
have Julianne Moore in mind.”
“She’d be perfect,” I said. “Perfect! They even look alike.”
“Don’t think I haven’t noticed. You saw Lost World,
I’m sure.”
“Three times.”
“Only thing wrong with that picture was Moore kept her
clothes on. I ask you: What the hell would have been wrong with a little
skin—say, one of those velociraptors ripping off her shirt just before she
escapes into that building?”
“Nothing at all!” I said.
“I’m not talking sex—just give me a second or two of tit!”
Nicholson said. “Use a body double if Moore’s not the type—but give me something
to hang a fantasy on, for Chrissakes! Well, that’s Spielberg for you. Damn
prude. Only skin he’s ever given us was in Schindler’s List, of all fucking
flicks! What are your thoughts on who’d play Ruth?”
“Faye Dunaway?”
Nicholson looked over his sunglasses at me.
“Have you seen ole Faye lately?” he said. “I think Glenn
Close is more what I have in mind.”
“Or Rene Russo."
“Better yet. Good middle-aged women are so hard to find.”
We were relating now. I could feel it. Destined for each
other over the miles and the years, our souls had finally, irreversibly
connected.
Nicholson took another hit of whiskey and checked his watch.
“Sorry to cut out on you,” he said, “but I’ve got a
Celtics-Lakers game to catch. It’s not the same without Magic and Larry, but
that’s life in the big city. Things change.”
“Not you, Jack.”
“Even me, Mark.”
He started the car.
“Take me with you?” I asked.
Nicholson was puzzled.
“To Boston Garden?”
“To anywhere.”
“I’m afraid you’re on your own now, my man. Just watch out
for that Malloy: There’s something not quite right about him.”
“Everything’s so fucked-up,” I said. “I need help.”
“What you need,” Nicholson said, “is a golf club!”
He grinned, and then he was cackling, and before long he was
wheezing, he was so amused with himself. Apparently, he still wasn’t over his
freeway encounter.
“That’s not funny,” I said.
“Not funny? You really have lost your sense of humor. The
shit you’re in, my friend, you need one. I wasn’t kidding about the golf club.
They’re all bastards. Have a little fun at their expense. You’re good at that
kind of stuff. I laughed myself silly at the Sermon put-on at the convention.”
I was stunned.
“You were there?” I said.
“Hell, yes,” Nicholson said. “Snuck in at the last minute
and had to run out before you got your Wilbur—congratulations on that, by the
way. I figured I’d see you at the Knicks. Now if you don’t mind, I’ve got to
go.”
“Please don’t,” I begged.
“Don’t make me do something I’ll regret,” Nicholson said. “We’ve been friends too long.”
“We could go to the movies,” I said. “I’ll pay.”
Nicholson took off his sunglasses and our eyes met.
“You just don’t get it, do you, kid?” he said.
He was not a man to mess with now. I stepped out of his car and slowly closed the door. He put the transmission in gear and roared off.
Nicholson photo courtesy Kingkongphoto, www.celebrity-photos.com via wikipedia commons.
More "Blue Hill posts:
--
Reviews for “Blue Hill” are coming in and they are favorable!
The
reviews for my latest book, "Blue Hill," a novel that is a profound
departure from my other (mostly horror, mystery and sci-fi) fiction are looking
good! I will post more as they arrived.
READ
REVIEWS:
https://gwaynemiller.blogspot.com/2020/10/reviews-for-blue-hill-are-coming-in-and.html
-- On a
return to a hometown, a reunion with a first love.
On the run from the law and deep into his
journey into the past, Mark Gray, the protagonist of "Blue Hill,"
returns to his home town, where he meets Sally Martin, his high-school
girlfriend and first love. A long-buried secret will soon be revealed.
https://gwaynemiller.blogspot.com/2020/10/we-both-cracked-up-at-that-and-laughter.html
Mark
Gray, the protagonist of "Blue Hill," is a young Red Sox fan when
slugger Tony Conigliaro is beaned by a pitch during the Sox "Dream
Team" of 1967. The pitch changed the real-life Tony C. -- and had a
profound impact on the fictional protagonist of my new novel.
READ
THIS EXCERPT:
https://gwaynemiller.blogspot.com/2020/10/fenway-park-on-august-18-1967-tony.html
-- The
possibility of reconciliation, and an outrageous climb in a Maine Nor'easter.
Mark
Gray, the protagonist of "Blue Hill," is the son of a now-retired
Episcopal priest and '60s social activist. Their relationship has been
difficult since Gray's childhood, but there is always the possibility of
reconciliation. Maybe it will occur when Gray, now one of America's Most Wanted
criminals, visits his elderly father, who lives in Blue Hill, Gray's hometown,
and proposes an outrageous climb of a favorite mountain... in a raging
Nor'easter. Read the excerpt here.
READ
THIS EXCERPT:
https://gwaynemiller.blogspot.com/2020/10/mark-gray-protagonist-of-blue-hill-is.html
-- Quite
a cast of characters.
Along with several fictional characters,
starting with the narrator, "Blue Hill" features some real-life
people -- Jack Nicholson, for example, albeit in fictionalized form.
READ
THIS EXCERPT:
https://gwaynemiller.blogspot.com/2020/10/quite-cast-of-characters-another.html
--
Fenway Park.
Baseball
is a central theme of my new novel, "Blue Hill," a departure from my
other fiction, which has been solidly in the mystery, horror and sci-fi genres.
READ THE
EXCERPT:
https://gwaynemiller.blogspot.com/2020/10/blue-hill-excerpt-from-chapter-four.html
Listen to a clip from the audio version of “Blue Hill” Blue Hill and also some of my other books, including “Thunder Rise,” King of Hearts,” and “The Work of Human Hands.”
LISTEN:
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