Tuesday, August 14, 2012

Manhattan, mid-day, Monday, August 13, 2012

Scenes of Manhattan, on a walk from Penn Station to 50th...

Garment District.


Times Square, west view.

View looking downtown from Times Square.


Only two people here are real.


Ground floor, 30 Rock.


Atlas, outside Rockefeller Center. has to be one of the most photographed objects in midtown.


Garden off Fifth.


Inside St. Patrick's Cathedral.


Our lady of Guadeloupe, St. Pat's.


Best shoeshine in the city: Drago, Penn Station, $4.

 

Saturday, August 11, 2012

Film Fest features documentaries

The 2012 Rhode Island International Film festival continued Saturday with screenings of three feature-length documentaries, including the Providence Journal's "Coming Home," shown at RISD's Metcalf Auditorium. Journal staff members and Iraq veteran John DiRaimo, who is in the film, joined a discussion.

Saturday's session, "Future Filmmaking: Digital Documentary Bridging Cultures," also included the world premiere of "The White Picket Fence Project," filmed in Kosovo and South Africa, followed by a discussion including filmmaker Valon Ymeri, pictured here with DiRaimo.

Also featured Saturday was the world premiere of Ian Thomas Ash's film "In The Grey Zone," about the Fukushima nuclear meltdown. Ash was on hand.

The six-day festival wraps up Sunday. Find the full festival schedule and ticket info at the festival site. 

Filmmaker Ymeri with Iraq veteran DiRaimo

Coming Home: DiRaimo on screen.   

Wednesday, August 8, 2012

Opening Night, 2012 R.I. Film Festival. Fun!

A fine evening Tuesday at the opening of the 2012 Rhode Island International Film Festival, six days of screenings, discussions and get-togethers that has the capitol city crawling with filmmakers from near and far. The Providence Journal, which is well represented throughout the festival, had a big presence at the opening at Veterans Memorial Auditorium. Longtime Trinity Rep actress Barbara Meek received an award. Seven shorts from six countries (South Africa, Afghanistan, Canada, France, Norway and England) were shown. Several were outstanding. Three are on my short list as a festival finalist judge (sorry, no further comment!).

With Yolanda, Vets lobby

In the lobby
Katy came, too.

Filmmakers Shachar Langlev, left, and Nitzan Mager arrive for the opening night screenings. Their film, Folkswagon, will be shown later in the week. The Providence Journal/ Connie Grosch

Doors to Vets
With festival founder and director George Marshall.



Tuesday, August 7, 2012

RIP, Mark O'Donnell

 Mark O'Donnell, who won a Tony Award for his musical adaptation of the Movie Hairspray, among other artistic achievements, died Monday at his Manhattan residence, apparently of a heart attack.



Mark was my college classmate. I came to know him and his twin brother Steve, now head writer for Jimmy Kimmel Live, when we lived in the same dorm freshman year. As you might imagine, Mark (and Steve) was one of the funniest people ever. Just a natural, rare talent for making people laugh. Such a gift. But also a kind and gracious guy. We were an eclectic group, this Class of 1976: John Roberts, now Supreme Court Chief Justice; cellist Yo-Yo Ma; Bobby Kennedy Jr.; Jill Abramson, now executive editor of The New York Times. And a bunch of other good people, lesser known, all of us coming-of-age during an interesting time.

RIP, Mark.






Sunday, August 5, 2012

Join Us During Film Festival Week!

Please join me and the rest of The Providence Journal filmmakers, photographers and editors at the Rhode Island International Film Festival, starting at opening night, Tuesday, 7 p.m., Vets Auditorium. Journal films throughout the week, panel discussion Thursday at the RI Film Forum, and Coming Home Saturday morning.

A half-page house promotional ad ran in today's Providence Sunday Journal. Look for more ads this week, in both the hard-copy and e- editions of The Journal this week. Pam Cotter @prcotter and other Journal staffers will also be tweeting and blogging from the festival as the week unfolds. Festival ends a week from today: Sunday, Aug. 12.

More details, including links to our promo short, at my earlier post about A Universe of Stories.

Saturday, August 4, 2012

Associated Press honors Journal

Congratulations to the many staff editors, photographers and writers at The Providence Journal who together won 19 awards in the 2012 New England Associated Press News Executives Association contest.

The newspaper was honored for writing, investigative reporting, page design, illustration, photography and headline writing. The Journal won the prestigious Sevellon Brown Award for public service for its "Reinvent Rhode Island" series, about the state's economy (Brown, for whom the award is named, edited The Journal from 1953 to 1968). I am a member of the Reinvent team, which is headed by editor John Kostrzewa and overseen by acting executive editor Karen Bordeleau.

With photographer John Freidah, I also received a second-place enterprise award for my autumn 2011 series "War on Terror: Coming Home," about veterans of the wars on Iraq and Afghanistan. The series formed the basis for The Journal's first documentary film, Coming Home, which will be shown at 10 a.m. Saturday, August 11, at RISD's Metcalf Auditorium, as part of the 2012 Rhode Island International Film Festival.

Friday, July 27, 2012

'A Universe of Stories,' Providence Journal promo short for Film Festival

The rough cut is now a final cut, and posted on the Rhode Island International Film Festival site.


 This is the short I mentioned in an earlier posting:

"Editor Cile Prestamo has cut a promotional short that will be shown throughout this August's Rhode Island International Film Festival, where for the first time ever The Providence Journal will show many films and anchor the Film Forum, a half day of viewings and discussion about the craft and business of fillmmaking in Rhode Island. Cile's one-minute, eleven-second short -- which will be shown repeatedly at Veterans Memorial Auditorium, main venue for the festival -- is a masterpiece, featuring clips of some of our best films and words from three of our finest photographers/videographers."

And it helps answer the question we will explore at the at the Film Forum, Thursday, Aug. 9, at the Providence Biltmore:

"How does a media company founded just three years after the invention of still photography survive for nearly two centuries –– and remain fresh and vital in the Internet Age? The Providence Journal, published daily since 1829, has accomplished this by emphasizing news, public service and story. And in 2012, that includes storytelling in documentary films posted as videos to its web site, providencejournal.com

Thursday, July 26, 2012

Frank Beazley laid to rest



Photo by Katy Miller

After a funeral Mass in the Zambarano Hospital chapel that drew an overflow crowd of more than 200 -- and featured three very moving eulogies -- Frank was laid to rest today at Acotes Hill Cemetery, a beautiful spot in the quaint village of Chepachet. Along with Zambarano staffers Ed Fanning and Steve Westerman, who delivered one of the eulogies, I was honored to be a pallbearer. Frank would have been pleased by it all.

Frank's funeral at Zambarano.


Several politicians and dignitaries joined patients, staff and friends in sending Frank off. My daughter Katy, representing the lieutenant governor, joined me. Like everyone in my family, including my other daughter, Rachel, who works at Zam, Katy got to know this remarkable man over the years.

Frank was buried with some of his precious personal items, including his beloved signature hats and pins. Please honor his memory, as I have also done, with a contribution in his name to the group he long headed: a check made out to Patients for Progress, c/o Stephen Westerman, Zambarano Hospital, 2090 Wallum Lake Rd., Pascoag, RI 02859.

Godspeed, Frank, godspeed.

Read the full text of The Growing Season, the story of Frank Beazley, through this link.

Photo by Mary Murphy.

 

Wednesday, July 25, 2012

'The Age of Miracles': Must-read

  My review in this past Sunday Providence Journal of this summer's smash debut novel, The Age of Miracles. Here's the Amazon page.

BOOKS - Earth, and 11-year-old main character, undergo transformation
G. WAYNE MILLER
Publication Date: July 22, 2012  Page: G6  Section: FEATURES 

"The Age of Miracles,"
By Karen Thompson Walker.
Random House.
288 pages. $26.

With "The Age of Miracles," we welcome the debut of Karen Thompson Walker, a young novelist whose beautiful language, distinctive voice and uncommon ability to write equally adeptly of loss and love promises a long career of important work.

On its surface - a clever and convincing surface - "The Age of Miracles" chronicles the experiences of 11-year-old Julia and her family and friends during the first months of what comes to be known as "the slowing." In this not-too-distant future, the earth's rotation is inexplicably decelerating, causing lengthening days and nights and unrelenting bio-disasters across the planet. The author gets global warming.

But this is not just another fiery depiction of unfolding apocalypse: The book has been optioned to Hollywood, but don't expect James Cameron or Christopher Nolan to direct. Because beneath the book's dystopian veneer, with its annihilating sun, mass demise of species and mysterious human ailments, Walker gives us a brilliant, small-scale study of the devolution of a Southern California neighborhood as old rhythms of life disintegrate and a new, unbalanced "normal" emerges. Her deft portrayal of this transformation would alone have made "Miracles" a worthy read - but Walker goes one level deeper still, telling a timeless coming-of-age story with fresh, sophisticated power, in part attributable to the striking beauty of her words. Two such stories, actually.

Julia is a shy girl, late to puberty, often alone with her thoughts and fears, an outcast seeking shelter in her room and the school library - and yet gifted with prescience and insight, even if she is still too naive to interpret some of the extraordinary (and ordinary) things she observes (the novel is narrated in first person by Julia looking back several years later, when she is a young adult).

Seth Moreno is the skateboarding, emotionally contained boy (he does his best to hide the agony of his mother's slow death) -- a child who nonetheless is intellectually curious and, in his way, charismatic. How they fall for each in their tumultuous pre-teen world, which survives "the slowing," carries this book to an unforgettable conclusion. I will not reveal the end, but the words "We were here" proved haunting.

Right from the opening page, "The Age of Miracles" brims with exquisitely crafted prose on which rests Julia's emerging personality (a former editor at Simon & Schuster, Walker evidently labors over her every sentence, polishing each as she might a precious heirloom).

"This was middle school," Julia relates, "the age of miracles, the time when kids shot up three inches over the summer, when breasts bloomed from nothing, when voices dipped and dove. Our first flaws were emerging, but they were being corrected. Blurry vision could be fixed invisibly with the magic of the contact lens. Crooked teeth were pulled straight with braces. Spotty skin could be chemically cleaned. Some girls were turning beautiful. A few boys were growing tall. I knew I still looked like a child."

About a third of the way in, Walker seems to have momentarily lost her touch, with a few errant clichés and repetitions (enough, already, of "radiating"!) -- but these were but occasional, and elegance soon returned. I can imagine the delight when Walker's manuscript reached the desk of the acquiring editor at Random House, and why the publisher paid a reported $1 million for the book and has strongly supported its launch, including a full-page ad in the New York Times Book Review.

I read "The Age of Miracles" in nearly a single sitting: On East Matunuck Beach, on a pristine summer's day. I guess that makes it a perfect beach book.

But do not be fooled: Walker's debut signals the arrival of a major new voice in serious American fiction.

G. Wayne Miller is the author of seven books of non-fiction, a novel and a short-story collection. Visit him at gwaynemiller.com.








Monday, July 23, 2012

Video of Frank on his 82d birthday: Dec. 13, 2012

As far as I know, this is the final film of Frank, at Zambarano, celebrating his 82 birthday. He loved that hat! "Every Christmas, I put this hat on. Oh, yes!"

Frank Beazley: The obituary


 CLICK HERE to read the full story of Frank.


Page one, Providence Journal, Monday, July 23, 2012

passages | Beazley was champion for disabled, lauded artist
 
by G. WAYNE MILLER
Journal Staff Writer

BURRILLVILLE - Frank Beazley, who survived a harsh childhood and a devastating spinal-cord injury to become Rhode Island's foremost advocate for people with disabilities - and also a celebrated artist and poet - died Sunday morning at Zambarano Hospital, where he had lived since 1967. He was 83.

Just this spring, in a rare honor, the main patient building at Zambarano was named for him. Beazley, the General Assembly declared, was "someone who has worked tirelessly to ensure continuous quality of care for all patients, and who has been and continues to be a tireless voice for the voiceless." Governor Chafee signed the legislation into law.

Senators Paul W. Fogarty, D-Glocester, and Rep. Cale P. Keable, D-Burrillville, offered tributes to Beazley on Sunday.

"Frank was a longtime friend and mentor to me and to many," Fogarty said. "He made a tremendous difference in the quality of life of residents at Zambarano and throughout the state, with his art and poetry, with his advocacy, and especially with his infectious smile. … I was honored to know him and to call him a friend."

Keable said: "As someone whose brother was a resident at Zambarano for 13 years, I saw firsthand the difference that Frank made in the lives of residents there. Frank was an inspiration, to them and to me. … All Rhode Islanders can learn a great deal from Frank's life."

Son of an unwed teenager whose family did not acknowledge him, Beazley was born Dec. 13, 1928, in Halifax, Nova Scotia. He was raised in an orphanage and, later, in a foster home run by an abusive alcoholic.

After service in the Royal Canadian Army, Beazley became a baker. He moved to Rhode Island in 1953 in search of a better life. He was returning to his Providence home from his shift at a Dunkin' Donuts bakery Jan. 6, 1967, when he fell down a flight of stairs.

The accident left him a quadriplegic, permanently paralyzed from the neck down. After several weeks at Rhode Island Hospital, he was moved to Zambarano, now a unit of state-run Eleanor Slater Hospital. With rehabilitation, he was able to regain some use of his hands.

Beazley's fiancée eventually abandoned him, leaving him alone at the institution on remote Wallum Lake, but Beazley did not let his circumstances defeat him. He began to paint and write poems. He gained U.S. citizenship. He found his voice, becoming president of Patients for Progress, a platform he used to advocate for rights for the disabled.

At Zambarano, Beazley successfully championed campaigns for greater patient freedoms, including the right to wear regular clothes, pass fewer hours in bed, watch cable TV and spend more time in the community - campaigns that required years of dogged persistence.

Beazley fought moves to close wards and stop RIPTA bus service to Zambarano. Statewide, he fought for increased funding of programs for all people with disabilities. He regularly testified at the State House, where governors and legislators opened their doors to him. And he always spoke his mind.

Beazley was honored many times for his art and poetry, including twice winning the Allen Ginsberg Poetry Contest and being featured in a display at the Second International "One Heart, One World Exhibition 2002 Cultural Olympiad," in conjunction with the 2002 Salt Lake City Olympics.

Beazley was the subject of a 12-part Providence Journal series, "The Growing Season," published in 2006. Hundreds of readers responded to his story of triumph against great odds.

Behind his many achievements was a modest man of endless good will, with blue eyes and a warm smile. He was fond of flags, lapel pins, candy, children and what he called "beautiful days" ones, for example, with soothing breezes and glorious sunsets.

Beazley lived a simple philosophy: "Take what's there for you. Enjoy what you can."

To generations of doctors, nurses and other staff at Zambarano, Beazley was a cheering presence always grateful for their care, which kept him in good health for nearly a half century. To the many friends he made through his advocacy and his art, Beazley was a man who listened and provided encouragement in whatever challenges people faced.

In his private moments, he loved a good meal, music boxes and the New England Patriots.

Beazley's last public statements came in April, when he made what would be his final visit to the State House, to be officially honored on the occasion of the naming of the Frank Beazley Building, where he lived so long and died.

"It's one of the greatest things that's ever happened to me," said Beazley. "I hope it gives inspiration to a lot of other people."

Typically, Beazley offered gentle advice to others facing adversity, of whatever kind.

"Well," he said, "it's the old saying: You just have to keep your chin up and fight your battles. And respect people."

Vigorous in the spring, Beazley declined in recent weeks, though he could still manage a smile. He died in his bed on his long-time ward, 2 North.

Funeral arrangements are incomplete.


Sunday, July 22, 2012

Frank Beazley, 1928 - 2012

Frank Beazley died this morning at Zambarano Hospital, in Burrillville, where he had lived since 1967, when a spinal-cord injury left him paralyzed from the waist down -- and began his extraordinary journey to celebrated poet and artist, and Rhode Island's foremast advocate for the disabled. Just this spring, the main patient building at Zambarano -- where he lived and died -- was named for him, a rare honor. I am glad he lived to see it.

Frank was the subject of the favorite series I ever wrote, a series that produced an amazing outpouring of praise for Frank from hundreds of readers. But more than that, Frank became a very dear friend -- in his humble way, a sort of father figure. Those who know me best will understand why I grieve.

I saw Frank for the last time on Tuesday, when I visited him after learning he was gravely ill. He had been very sick on occasions before, but I knew seeing him that he was tired, and ready to go, and at peace with that. I sat by his bed and we talked for a few minutes, just a few spare words. Frank kept saying "OK" and "good." Then he smiled, that great Frank smile, and drifted back to sleep. I touched him and said goodbye.  And then I went back to The Providence Journal and wrote his obituary, which will be in tomorrow's edition.

Godspeed, Frank.

Frank in 2006, with my granddaughter, Isabella.

Thursday, July 19, 2012

Rough cut of Providence Journal promo short for RI Film Fest

Editor Cile Prestamo has cut a promotional short that will be shown throughout this August's Rhode Island International Film Festival, where for the first time ever The Providence Journal will show many films and anchor the Film Forum, a half day of viewings and discussion about the craft and business of fillmmaking in Rhode Island.


 Cile's one-minute, eleven-second short -- which will be shown repeatedly at Veterans Memorial Auditorium, main venue for the festival -- is a masterpiece, featuring clips of some of our best films and words from three of our finest photographers/videographers. I'll post a link as soon as we get final cut.

As GM used to say, this paper, which began publishing in 1829, ain't your father's Oldsmobile. 

Tuesday, July 17, 2012

Providence Journal at R.I. Int'l Film Festival

With just three weeks until Opening Night of the 30th annual Rhode Island International Film Festival (7 p.m., Tuesday, Aug. 7, at Vets Auditorium), plans are being finalized for The Providence Journal's extensive participation. We will be showing some 20 videos of various lengths, including the 2012 New England Emmy-nominated and regional Murrow Award-winning feature-length documentary COMING HOME, which has also been broadcast on PBS.

One highlight of our participation will be the five short films we will show at the Rhode Island Film Forum, from 8:30 a.m. to 1:30 p.m., Thursday, Aug. 9, in the rooftop ballroom of the Biltmore Hotel. Pretty nice venue!

Our block is called Transmedia Technology: The Future of Storytelling.

Here's what it's all about, from the Festival web site:

How does a media company founded just three years after the invention of still photography survive for nearly two centuries –– and remain fresh and vital in the Internet Age? The Providence Journal, published daily since 1829, has accomplished this by emphasizing news, public service and story.

And in 2012, that includes storytelling in documentary films posted as videos to its web site, www.providencejournal.com

Join Michael Delaney, Journal Managing Editor for Visuals, and award-winning staff photographers/videographers Sandor Bodo, John Freidah, Frieda Squires and Steve Szydlowski as they show some of the paper’s finest films and discuss their craft from artistic, news and business points of view.

Journal videos have won several awards, including a 2011 New England Emmy for Freidah’s “Marathon Man,” which will be shown at the forum. The paper’s first feature-length documentary, “Coming Home,” about veterans of the War on Terror, was nominated for a 2012 New England Emmy and won the 2012 Edward R. Murrow Award for best online documentary, New England Region, from the Radio Television Digital News Association. Also in 2012, the paper’s “Justice for Jason: Foreman family strives to change Rhode Island Law” was nominated for a New England Emmy in the Outstanding Societal Concerns Category.

Monday, July 16, 2012

The Work of Human Hands: The e-edition

Arriving soon: the e-edition of my first book of non-fiction, THE WORK OF HUMAN HANDS: Hardy Hendren and Surgical Wonder at Children's Hospital. The book will be available on Kindle, Nook, and in PDF and other digital platforms.


This is the cover design, by the very talented David Dodd, who designed the cover for SINCE THE SKY BLEW OFF: The Essential G. Wayne Miller Fiction, Vol. 1. And like that short-story collection, published digitally in April, THE WORK OF HUMAN HANDS is being brought back into print by my friend David Wilson, founder, CEO and publisher of Crossroad Press.

And it is part of a larger effort to digitize some of my earlier titles. Recently, Kindle editions of MEN AND SPEED and COMING OF AGE have become available.



Saturday, July 7, 2012

Struggles of single parents in recessionary times

Crystal Tetreault and daughter Jada, 6. Journal photo by John Freidah.



Single parenthood has never been easy, but the recession has only compounded the difficulties for parents like Crystal Tetreault of Cranston, who was laid off from her job as a dental assistant. She, her daughter and her teenage son, Bobby, share their poignant story in tomorrow's Sunday Journal. This is my latest contribution to our year-long serialized look at the economy, Reinvent Rhode Island. For interactive graphics, to take a poll and join the congestion right now, go to our blog posting.

Saturday, June 30, 2012

Things best not to say to cops (or anyone, really)

Pulling the occasional weekend duty at The Providence Journal required me to check the overnight police reports in the Capital City. Always interesting, reading the first-hand narratives of incidents and arrests that officers have written -- they often quote offenders, and their reports really constitute stories. Here are two cases where arresting officers tried reason, but were met with drunken anger. I quote:

-- Offender One, a woman.
"I don't give a f***. F*** that. These cops are a*******."

They also have handcuffs...

-- Offender Two, a man.
"You guys are a bunch of dicks, I don't have to go, f*** this."

Oh, yes, you do...

Thursday, June 28, 2012

President Obama's remarks on the Supreme Court's ruling on healthcare

THE WHITE HOUSE
Office of the Press Secretary
___________________________________________________________________________________________________________________________________________________________________
For Immediate Release                                                                                                                           June 28, 2012


REMARKS BY THE PRESIDENT
ON THE SUPREME COURT RULING
ON THE AFFORDABLE CARE ACT

East Room


12:15 P.M. EDT


     THE PRESIDENT:  Good afternoon.  Earlier today, the Supreme Court upheld the constitutionality of the Affordable Care Act -- the name of the health care reform we passed two years ago.  In doing so, they've reaffirmed a fundamental principle that here in America -- in the wealthiest nation on Earth – no illness or accident should lead to any family’s financial ruin. 

I know there will be a lot of discussion today about the politics of all this, about who won and who lost.  That’s how these things tend to be viewed here in Washington.  But that discussion completely misses the point.  Whatever the politics, today’s decision was a victory for people all over this country whose lives will be more secure because of this law and the Supreme Court’s decision to uphold it.

And because this law has a direct impact on so many Americans, I want to take this opportunity to talk about exactly what it means for you. 

First, if you’re one of the more than 250 million Americans who already have health insurance, you will keep your health insurance -- this law will only make it more secure and more affordable.  Insurance companies can no longer impose lifetime limits on the amount of care you receive.  They can no longer discriminate against children with preexisting conditions.  They can no longer drop your coverage if you get sick.  They can no longer jack up your premiums without reason.  They are required to provide free preventive care like check-ups and mammograms -- a provision that's already helped 54 million Americans with private insurance.  And by this August, nearly 13 million of you will receive a rebate from your insurance company because it spent too much on things like administrative costs and CEO bonuses, and not enough on your health care. 

There’s more.  Because of the Affordable Care Act, young adults under the age of 26 are able to stay on their parent's health care plans -- a provision that's already helped 6 million young Americans.  And because of the Affordable Care Act, seniors receive a discount on their prescription drugs -- a discount that's already saved more than 5 million seniors on Medicare about $600 each.

All of this is happening because of the Affordable Care Act. These provisions provide common-sense protections for middle class families, and they enjoy broad popular support.  And thanks to today’s decision, all of these benefits and protections will continue for Americans who already have health insurance.   

Now, if you’re one of the 30 million Americans who don’t yet have health insurance, starting in 2014 this law will offer you an array of quality, affordable, private health insurance plans to choose from.  Each state will take the lead in designing their own menu of options, and if states can come up with even better ways of covering more people at the same quality and cost, this law allows them to do that, too.  And I’ve asked Congress to help speed up that process, and give states this flexibility in year one. 

Once states set up these health insurance marketplaces, known as exchanges, insurance companies will no longer be able to discriminate against any American with a preexisting health condition.  They won’t be able to charge you more just because you’re a woman.  They won’t be able to bill you into bankruptcy. If you’re sick, you’ll finally have the same chance to get quality, affordable health care as everyone else.  And if you can’t afford the premiums, you'll receive a credit that helps pay for it. 

Today, the Supreme Court also upheld the principle that people who can afford health insurance should take the responsibility to buy health insurance.  This is important for two reasons. 

First, when uninsured people who can afford coverage get sick, and show up at the emergency room for care, the rest of us end up paying for their care in the form of higher premiums. 

And second, if you ask insurance companies to cover people with preexisting conditions, but don’t require people who can afford it to buy their own insurance, some folks might wait until they’re sick to buy the care they need -- which would also drive up everybody else’s premiums.

That’s why, even though I knew it wouldn’t be politically popular, and resisted the idea when I ran for this office, we ultimately included a provision in the Affordable Care Act that people who can afford to buy health insurance should take the responsibility to do so.  In fact, this idea has enjoyed support from members of both parties, including the current Republican nominee for President.

Still, I know the debate over this law has been divisive.  I respect the very real concerns that millions of Americans have shared.  And I know a lot of coverage through this health care debate has focused on what it means politically. 

Well, it should be pretty clear by now that I didn’t do this because it was good politics.  I did it because I believed it was good for the country.  I did it because I believed it was good for the American people.

There’s a framed letter that hangs in my office right now.  It was sent to me during the health care debate by a woman named Natoma Canfield.  For years and years, Natoma did everything right.  She bought health insurance.  She paid her premiums on time.  But 18 years ago, Natoma was diagnosed with cancer.  And even though she’d been cancer-free for more than a decade, her insurance company kept jacking up her rates, year after year.  And despite her desire to keep her coverage -- despite her fears that she would get sick again -- she had to surrender her health insurance, and was forced to hang her fortunes on chance. 

I carried Natoma’s story with me every day of the fight to pass this law.  It reminded me of all the Americans, all across the country, who have had to worry not only about getting sick, but about the cost of getting well. 

Natoma is well today.  And because of this law, there are other Americans -- other sons and daughters, brothers and sisters, fathers and mothers -- who will not have to hang their fortunes on chance.  These are the Americans for whom we passed this law. 

The highest Court in the land has now spoken.  We will continue to implement this law.  And we'll work together to improve on it where we can.  But what we won’t do -- what the country can’t afford to do -- is refight the political battles of two years ago, or go back to the way things were. 

With today’s announcement, it’s time for us to move forward -- to implement and, where necessary, improve on this law.  And now is the time to keep our focus on the most urgent challenge of our time:  putting people back to work, paying down our debt, and building an economy where people can have confidence that if they work hard, they can get ahead. 

But today, I’m as confident as ever that when we look back five years from now, or 10 years from now, or 20 years from now, we’ll be better off because we had the courage to pass this law and keep moving forward. 

Thank you.  God bless you, and God bless America.

Wednesday, June 27, 2012

Carol Young's book club

Carol on the right, me at head of table, photo by Wayne Coats.
 
Not often that I make a make a book appearance and am treated to a fine dinner, but that's what happened Monday when I was the guest at Carol Young's book club, which met at her home. Carol is a dear friend of many years, and was a colleague at The Providence Journal for decades before she retired two years ago. I discussed AN UNCOMMON MAN, my biography of Claiborne Pell. The company and evening were the best!

Monday, June 18, 2012

Reports of my death...

... have been greatly exaggerated. But there have been reports, most recently last week in Forth Worth, Texas. I must say my trip to heaven was quite interesting. I have sworn not to reveal details, however. Sorry!

Friday, June 15, 2012

"Superman Building," a rare tour

As the next installment in our year-long series Reinvent Rhode Island, The Providence Journal on Sunday, June 17, will publish a story about possible future uses for the iconic "Superman Building," which Bank of America, lone tenant, will vacate by April 2013. We were lucky enough to get a top-to-bottom tour of this historic and intriguing building, which has a storied place in Rhode Island history.

Here are some photos I took. Look for more in The Journal...

The "Superman Building," opened in 1928 as the Industrial Trust Company building, from Kennedy Plaza.








View of the Plaza from atop the building. The three prominent buildings are City Hall, the Biltmore and the Westin.
The view south, toward the head of Narragansett Bay
Door to the fabled "Gondola Room," rarely visited by the public. Many myths have developed regarding what this room was used for. Docking of dirigibles? Private parties for the bank president?
The Gondola Room. design clearly inspired by the passenger compartment of a 1920s blimp. Note the leather and oak appointments...
Custom wine rack.
The lantern at the top of the building is visible for miles at night. Here's the inside of the lantern.
Executive dining room, 26th Floor. No longer used, but furnishings remain.
The executive suite was lavishly furnished. These will all be removed when BofA vacates.
Peregrine falcons nest on the building. Here's a newly hatched chick. There's a webcam for them...
The basement safe has concrete walls thicker than three feet and doors that weigh 17 tons, all steel.
Side view of one of the safe doors. There are four doors. The safe itself is bigger than a house, or so it seemed. We were not allowed in.
Another door, next to a stationery bike, which gives the scale.

Thursday, June 7, 2012

Free speech rights, free speech symbol

Exercising their free-speech rights, members of Occupy Providence have set up camp on the sidewalk alongside a four-story symbol of those same rights, The Providence Journal's headquarters in the capitol city's downtown. Behind the signs they have hung from our building is our newsroom. The Occupiers are demonstrating as the netroots convention unfolds across the street, at the Convention Center.

4 p.m. June 7, 2012, The Providence Journal.




A speech at the Convention Center, across from Journal


Zombie Night


Spending the morning watching Providence Journal films as we plan our participation in this summer's Rhode Island International Film Festival. Some great work by many fine filmmakers. Lots of serious and public-service productions, such as COMING HOME, but some are just great fun -- this one, "Zombie Night," by Sandor Bodo, one of our longtime photojournalists.

More of the backlist on Kindle


 
Amazon is methodically migrating backlisted titles to Kindle. With the addition of MEN AND SPEED, my 2002 book about NASCAR, five of mine are now available on Kindle.



Tuesday, June 5, 2012

Boston's beautiful Custom House

For a piece I am writing about possible new uses for an iconic building in Rhode Island, I turned for inspiration to Boston, where the venerable Custom House is now a Marriott Resort. They have beautifully restored this building, which was begun in 1837, completed in 1849, and completed with a 496-foot tower in 1915. General manager Willie Nagda graciously gave me and Providence Journal photographer Steve Szydlowski an hour-and-a-half tour. Starting with views from the 26th-story observation deck:

Buildings to the west. Last time I was up here, in college in the 1970s, I used an 8-by-10 b&w camera.
View to north, overlooking Quincy Marketplace. Fanueil Hall in foreground, City Hall to left; TD Garden, home of Celtics and Bruins,  and Zakim Bridge in distance.


To the east, Boston Harbor, Logan Airport in distance.

Guest loft, made from 1840s office space.

The magnificent dome, 163 years old.

Exterior view from Greenway, where hideous Central Artery once stood. The Big Dig buried the highway and opened up acres of park.







Sunday, June 3, 2012

35th N.E. Emmys: No wins, a great evening nonetheless


We were nominated in two categories, but The Providence Journal did not take home an award last night at the 35th New England Emmys, held at the Boston Marriott Copley Place. We congratulate all of the winners. And we were thrilled just to be nominees, watching from directly in front of the stage, at Table 3 with Connecticut Public Television, which won several awards.

Yolanda and me, at Table 3, the 35th N.E. Emmys

The Emmys, of course, are sponsored by the regional chapter of the National Academy of Television Arts & Sciences. And so it said something significant that not only were several newspapers nominated in several categories, but the Boston Globe, led by former Journal visuals editor Thea Breite, won eight awards by my count. The Quincy Patriot Ledger picked up one. When you consider that newspapers cannot be eligible for many categories – “Outstanding Anchor – News,” for example – it demonstrates that this ancient medium, “print,” is very much alive in the modern age.

I’d like to give a special acknowledgment to the WPRI Target 12 investigative team, led by Tim White. They won for Outstanding Investigative Report. Tim is a great person along with being a great investigative reporter.
John, Yolanda, me.
The Journal was nominated in Outstanding Societal Concerns for "Justice for Jason: Foreman family strives to change Rhode Island Law," John Freidah, video journalist, and Cecilia Prestamo, editor; and in Outstanding Documentary for "Coming Home," John, Cile and me. These two films – and more, by other Journal documentarians – will be shown and discussed during panel sessions at this summer’s Rhode Island International Film Festival, where The Journal will have a large presence from start to finish. I also am serving as a 2012 Finalist Judge. Festival founder and chief George Marshall and his crew won an Emmy last night for Outstanding Public Service. See you starting August 7 at the festival!