Sunday, September 23, 2012

A rich mosaic... of arts in Rhode Island

RISD Museum Grand Gallery, photo by Steve Szydlowski.
 
The Providence Sunday Journal today has my extensive look at the impact of the arts on the state economy -- not to mention the culture and overall quality of life. When it comes to the arts, it's damn good here, folks. Damn good. Let's take a moment and celebrate this gift and the people behind it.

The page-one design, stories and photos look better in the hard copy, and I recommend you get one, but here is a link to the main story.

And here is a link to the sidebar about AS220, the internationally recognized arts organization that Bert Crenca built.

Today's package is the latest installment in the year-long (and already award-winning) Journal series, Reinvent Rhode Island. In my many years at the paper, I have not been involved in many projects that have been this worthy -- and fun.


Friday, September 21, 2012

The impact of the arts in Rhode Island

Bert Crenca, founder of AS220. Journal photo by Bob Thayer.

Coming Sunday as part of The Providence Journal's year-long Reinvent Rhode Island series, my look at the extraordinary breadth and depth of the non-profits arts scene in Rhode Island -- and the economic engine they are in this geographically small state. We're talking painting, sculpting, dance, theater, film, museums, galleries and much more.

How much of an engine? Just the city of Providence alone generated $190 million in arts spending in the year 2010, according to the group Americans for the Arts. Compare that to the entire state of Nebraska, with a population ten times that of Providence -- only $115 million was spent. In the greater Memphis, Tenn. area -- pop. 920,232 -- $125 million was spent.

AS220, the internationally recognized arts organization, has been a major force in establishing the arts as not just a creative but economic asset to the Providence and Rhode Island community.

Take a poll and read a preview on The Journal's Friday blog. And come back Sunday for the whole package.

Wednesday, September 12, 2012

Bristol Art Museum talk on An Uncommon Man

Please join me at 7 p.m. Thursday, September 20, at the Rogers Free Library, 525 Hope Street in Bristol, R.I. for an illustrated talk on the late Senator Claiborne Pell, subject of my 2011 biography, AN UNCOMMON MAN: The Life and Times of Claiborne Pell.

The free evening, which will include a book signing and reception, is sponsored by the Bristol Art Museum, which is undertaking a renovation of its quarters at historic Linden Place, near the library. I toured today with the museum's chair, Patricia Woods, and was greatly impressed! This will be one cool place, with studio space for working artists on the museum's second floor. As always, I am happy to support an arts cause.


Monday, September 10, 2012

Brainstorming the Rhode Island economy

Donald Farish, president of Roger Williams University, was one of more than 300 at the two-day Make It Happen RI conference at the R.I. Convention Center, which is next door to the Providence Journal.


My coverage of the Rhode Island Foundation's two-day Make It Happen RI conference ran page one in the Sunday paper, paired with Paul Grimaldi's excellent piece on leadership (or lack thereof) here in a state hobbled by a bad economy. Editor John Kostrzewa, who has led the Journal's Reinvent Rhode Island team all year, contributed an excellent column. Kate Bramson helped me with this piece, and they rest of the Reinvent crew essentially wrote the Saturday paper.


Forum participants say R.I. needs to boost its self-image
G. WAYNE MILLER
Publication Date: September 9, 2012  

PROVIDENCE - An extraordinary two days of brainstorming ways to heal Rhode Island's sickly economy ended Saturday with the lively consensus that the state already has an abundance of resources, notably its people, to build a better tomorrow.

The mandate now, attendees at the concluding session of "Make it Happen RI" forum agreed, is -- well, making it happen.

Dozens of concrete ideas to accomplish just that were proposed at the Rhode Island Convention Center gathering, hosted by the nonprofit Rhode Island Foundation.

Some would involve partnerships between government and the private sector. Others could be achieved by non-public initiatives alone. And some of those will begin almost immediately, participants promised, the exchange of ideas at the forum having inspired creative thinking and opened productive new connections.

"We know we need more specifics on some things," foundation head Neil D. Steinberg said. "We know we need additional leadership on some things. We know we need to get a lot done. I also know that there are things percolating all over you. You're groups of people, groups of companies, groups of institutions that have already started on the road to what we can get done."

The two-day conference brought together businesspeople large and small, artists, educators, financiers, designers, architects, health-care professionals, media members, manufacturers, planners, marketers, union leaders, philanthropists, social-service providers, lawyers, chamber of commerce officials, and others. Elected officials were not invited, in order that the forum not become politicized in this election season. But they will soon become involved in what is envisioned as an unfolding dialogue.

Some 330 people registered to attend the conference, prompting Steinberg to move it from the foundation's smaller downtown headquarters. Actual attendance was 304. Given that it was the second-to-last weekend of summer, the size of Saturday's crowd seemed evidence of true purpose.

"We have 150 people," Steinberg said. "The commitment is here."

One common theme of the forum was that Rhode Island does not need to import much of anything to lift itself from an economy with an unemployment rate of 10.8 percent, second-worst in the nation. The state is blessed with natural beauty, central location, leading universities, a thriving cultural scene, world-class cuisine, a storied history, and a large bank of human capital -- the underpinnings of a thriving economy and a high quality of life. The state does not need a giant corporation landing here to be its savior (though that would be OK).

But Rhode Island suffers from a chronic and counter-productive negative self-image, in which the state's many positive assets are depressingly overshadowed by its economic problems, significant though they be, many participants agreed. The state needs therapy.

"Go beyond slogans and advertising campaigns to look into Rhode Island's soul to rebuild self-esteem," said facilitator Ed Caron, representing the views of those who attended one of Friday's two "Marketing Rhode Island" small-group discussions.

"Focus first on energizing Rhode Islanders," said Caron. "If you embrace the state's 'specialness,' the external marketing will follow."

A concrete way to achieve that, a speaker said, would be for local leaders and citizens to promote their communities through local and regional media. Another way would be bus tours to visit individuals and enterprises that are Rhode Island successes, though perhaps unpublicized.

A third opportunity would be slogans such as one already in use, "Providence: The Creative Capitol." Noting the large numbers of Rhode Island firms built with innovative designers --Hasbro being a prime example -- one speaker proposed the slogan "Rhode Island: A Lively Experiment by Design."

Caron called such initiatives key to a "unified statewide narrative" that would be an antidote to what another speaker called "wallowing in your mud puddle."

John C. Simmons, executive director of the business-backed Rhode Island Public Expenditure Council, said that he began rewriting a report Governor Chafee requested on the Economic Development Corporation after Friday's session. He's weighing the role of government in the state's economic-development efforts and how that intersects with private businesses.

"The private sector really has a role," Simmons said, pointing to one idea that gained some traction -- resurrecting a Brown University-EDC funded project that helped bring entrepreneurs together. But maybe government shouldn't be funding such an effort, Simmons said after listening to people urge universities and successful businesses in Rhode Island to help fund such an initiative.

As did many others, Simmons spoke of the permitting process and how it needs to be fixed so it's easier for businesses. But he also noted that an EDC initiative to analyze the state's regulations is already working to fix that -- and the effort has been moved out of the EDC and into the newly created Office of Management and Budget.

Lisa Churchville, whose LGC Advisors provides consulting services, shared an idea from her group that would entice 50 new college graduates next year to commit to staying in Rhode Island for two years. They've dubbed their idea, "Rhode Island wants you to stay."

Next steps, Churchville said after the conference ended, would be to identify 50 meaningful jobs those graduates could do, develop an application process and attract funding, perhaps from colleges and universities that might be willing to forgive debt rather than give cash. Graduates would receive meaningful jobs here, low-cost housing, stipends, mentors, resumé help -- and even some college-loan forgiveness, Churchville said.

Among other highlights of other ideas generated during Saturday's session, which lasted from 9 a.m. to noon:

A proposal to have a joint public-private partnership develop new uses for the so-called Superman Building, which Bank of America, its last tenant, will vacate by spring.

A legislative agenda incorporating the best ideas in areas where government can help business.

A central business database.

A government "fast track" system for new businesses to receive permits and licenses in 90 days or less.

A Rhode Island "Peace Corps" in which recent college graduates would serve the nonprofit sector.

Steinberg had asked participants to propose initiatives that can be realized in the next 12 months or so, and said he will call them back in a year to see what has actually been achieved.

But only if something is achieved.

"We'll only do it if we can say 'we made it happen,' " Steinberg said. "There's no 'they' that will get this done. We have to realize the 'them' is us and we all need to step up."

He is optimistic all will.

A comprehensive listing of ideas -- along with a complete record of the two-day Make it Happen proceedings, and a means for the public to contribute -- will be available at the Foundation's Make it Happen page.

With reports from Staff Writer Kate Bramson.

Friday, August 31, 2012

Words of Orhan Pamuk, a Nobel Laureate in Literature

For me, a good day is a day like any other, when I have written one page well. Except for the hours I spend writing, life seems to me to be flawed, deficient, and senseless. Those who know me well understand how dependent I am on writing, tables, pens, and white paper, but they still urge me to 'take a bit of time off, do some traveling, enjoy life!' Those who know me even better understand that my greatest happiness is writing, so they tell me that nothing that keeps me far from writing, paper, and ink will ever do me any good.

Thursday, August 30, 2012

RISD Museum

For a forthcoming installment in The Providence Journal's year-long (and already award-winning) series about the economy, Reinvent Rhode Island, staff photographer Steve Szydlowski and I toured the great museum at the Rhode Island School of Design. I had not been there in a while. Highly recommended. I'll be back when I have more time to linger...


Medieval.
New Media.
Ancient Egyptian, in modern Plexiglass.
(Non-talking) heads.
The glorious Grand Gallery.

Wednesday, August 29, 2012

Bella-Day!

On her very last day of summer vacation, Yolanda and I treated Bella to a very fine day. A nail salon, lunch, movie, walk with Cooper and more. We feel she headed off to third grade (third grade?!) ready for the school year. A great time was had by all!

Hamming it up at Uno before the movie.

More horseplay. (Wonder if kids even use such words as "hamming it up" and "horseplay." My language is sometimes so 19th Century...)
Nails, as the loyal hound observes.
At Uno.
Hats!

Monday, August 20, 2012

Sakonnet Vineyards, Aug. 19, 2012

The sky threatened but never rained, and we spent a fine afternoon in a beautiful place: Sakonnet Vineyards, Little Compton, R.I. We roamed, tasted, lunched and took in the green surroundings. I had not been there in a long time, since writing a story in the wake of  The Station nightclub fire. Needless to say, this was a vastly better day! I had forgotten what a gem this place is.

Yolanda with iron sculpture. Reminded us of Napa...


In the vineyard.
Hay, there.
The Petite White and Vidal Blanc were among our favorites.

Saturday, August 18, 2012

A children's story, written long ago...


 My recent discovery of digital data that I thought had been forever lost has been like Christmas for me. I'm still opening presents! Among the many previously unpublished short stories (and more) is this, written on an old Compaq "luggable" computer, on 5 1/4-inch floppy disk. Wow, to think I wrote major passages of books on that machine.
"Pirate's Cove" was dedicated to, and very much about, my daughters Rachel and Katy, before their brother Calvin came along. To think Rachel has children of her own now, Bella and Livvie, Katy has Vivienne, and Cal is living in a Buddhist temple in Japan...
(Intro updated on March 15, 2020)




PIRATE'S COVE
by
G. Wayne Miller

1.
One summer, Rachel and Katy's mom and dad had squirreled a little extra money away. They decided to rent a cottage in Maine for two weeks. It was a big old place right on the coast and it had three chimneys, two gables and a big red barn. Dana Holbrook, the caretaker, said a sea captain had built it back in those long-ago days when all the ships had sails.
``Is it haunted?'' Rachel, 9, asked Dana, who was opening the cottage up. The Mortons had arrived that afternoon from Connecticut, where they lived in an almost-new house.
``Nope,'' said Dana.
``Not even by a friendly ghost?'' said Katy, who was 5. Already, she wasn't too sure she wanted to sleep in the kids' room on the second floor. It was too close to the attic, which had a single window with a faded blue curtain.
``Not even by a friendly ghost,'' said Dana. ``But I know about a cove where a pirate buried gold. Maybe tonight, when you're all moved in, I could tell you the story.''


2.
Dana was a very nice man, the Mortons quickly decided. In the winter, he taught seventh and eighth grade in the elementary school, which had only 45 students, total. In the summer, he was a caretaker for several places. He also went lobstering every day. He lived just down the road in a house almost identical to the one the Mortons had rented.
``Can you tell us about the pirates now?'' Rachel said that evening after dinner, when Dana dropped by to check on how everything was going.
``That's up to your folks, I reckon.''
``Please, Dad?'' Katy said. Her hair was blonde, her eyes very green, and when she opened them wide like that, it was hard to refuse.
``Please, mom?'' said Rachel. She had brown hair, pretty pink eyeglasses and an angelic face, and it was just as hard to turn her down.
``OK,'' Mrs. Morton said.
``So long as it's not too scary,'' Mr. Morton added.
``Not scary 'tall,'' said Dana, settling into a chair. He was a big man, with long sandy hair, a beard with flecks of gray in it, and hands as big as baseball gloves.
``Leastaways, my kids never thought so.''

3.
``His name was Black Skull,'' Dana began, ``and his father was a minister, his mother a seamstress.''
``What's a seamstress?'' Katy piped up.
``Someone who sews,'' said Mr. Morton. ``Now, shush. Let Mr. Holbrook finish his story.''
``There were six boys and six girls in his family,'' Dana went on, ``and all were highly quiet and reserved sorts. Only Black Skull seemed to march to the beat of a different drummer. At the age of 16, he left his home in Blue Hill -- that's just up the coast here, as you know from driving in, girls -- took the stage coach all the way down to New Bedford, and shipped out on the whaling vessel Bonnie B. Goode, which happened to have been captained by a gentleman from Maine.''
``Just like Moby Dick!'' Rachel said.
``Ayuh, just like the good Captain Ahab himself. For six years, Black Skull -- who was still called by his Christian name, Billy Bartlett -- was at sea, plying his trade all over the world. He was making good money, and like the good Mainer he was, he was stowing it away, thinking some day he might captain a vessel of his own. For if Black Skull was anything, he was the finest seaman around.''


4.
Dana crossed and uncrossed his big legs, and then he crossed and uncrossed his arms. ``You wouldn't by any chance happen to have a cold one there in the rah-fridge-ear-ay-tuh?'' he said. Dana pronounced a lot of his words like they were from a foreign language, Katy and Rachel thought.
``To wet your whistle?'' said Mr. Morton. He was trying very hard to sound like Dana, but it wasn't working so hot, the girls thought.
``Ayuh.''
Mr. Morton brought a beer for Dana, and one for himself. Mrs. Morton was sipping a glass of wine. The girls had tall tumblers of Cokes, which was an especially big treat, what with Mrs. Morton's concerns about sugar and caffeine.
``Now where was I?'' Dana said. ``Ayuh. I was up to the part where Black Skull's boat was sunk.
``So here he was, having worked himself up to first mate -- that's one step below captain, as you know, girls -- when one day, as they were off the coast off Patagonia -- that's way down South America way, as you may not know -- they were attacked by the worst sort of blood-thirsty pirates.''
``Was anybody killed?'' Rachel said.
``Did the boat sink?'' said Katy.


5.
Dana took a generous swallow of beer and allowed: ``No to the first question, yes to the second. The pirates, who were heavily armed, plundered Black Skull's ship, taking all their gold. Then they put Black Skull and his crew in a dinghy -- that's nothing but a pipsqueak of a boat -- and cast them lose. Before they sailed away, they set the Boonie B. Goode afire.''
``Poor boat,'' Katy said.
``Poor Black Skull,'' said Rachel.
``Ayuh,'' said Dana. ``But it could have been much worse. Through some stroke of luck -- we all can use a stroke or two of luck every now and again, can't we girls? -- Black Skull and his men made it to the coast. After several months, they even made it back to Maine.
``Now, as you might imagine, it had been a trying experience for the men, and all but Black Skull decided they'd had enough of the sea. One became a cobbler--''
``What's a cobbler?'' Katy piped up.
``Someone who fixes shoes,'' Mrs. Morton said. ``Now shush.''
``And one became a merchant and the captain, who'd made more than one fortune, decided to retire. He took his wife and children and made himself a big house. And you're sitting in it now, the house the captain of the Bonnie B. Goode built.''


6.
``Wow!'' Katy said.
``What happened to Black Skull?'' Rachel said.
``Funny you should ask,'' said Dana. ``Black Skull never could forget how they'd all almost died, cast adrift like that hundreds of miles in the middle of nowhere. He vowed revenge on that scurvy band of pirates and with an expedition in mind, he went to the U.S. Navy. But the Navy wasn't interested in chasing pirates way off the coast of South America -- although I suppose it would've been different if it'd been the American coast -- so Black Skull was out of luck there.
``In fact, it seemed he was out of luck everywhere. Time went by, and it became clear if Black Skull was to have his way, he'd have to marshal his own resources.
``Lord knows how, but somehow he managed to borrow enough money to buy a boat of his own. It wasn't anything special, only a two-master, sixty feet if that, but it would do. Using his savings, he outfitted her with salt cod and limes and water and hardtack -- that's a fancy name for biscuits, girls -- and then he brought aboard a trunk full of muskets and three old cannons he'd bought second-hand. He raised the American flag and, beside it, a black skull against white. That's how he got his name, as you might have guessed. Lord knows how, but he managed to get a crew of a dozen men, as well. I suspect he made the rounds of saloons, bearing promises of easy gold.''


7.
Dana was warming up to his story now.
``They sailed on Christmas morn and they made decent time, arriving off South America in under two months. Their luck was good. Within a week, they'd found that pirate ship, lying in wait for a Spanish boat loaded with gold doubloons. Black Skull fired a warning shot with one of his cannons. The pirates were in retreat. But they were not fast enough for Black Skull. In under an hour, he had 'em broadside. The pirates surrendered.''
``Did he sink their ship?'' Rachel said.
``Did he kill the pirates?'' Katy chirped up.
``Yes to the first and no to the second. Just as they'd done to him, he set the pirates loose in their dinghy and said, `Good luck, you're on your own now.' Or something to that effect; I imagine his actual words were a might more blunt. As they were going through the ship, they found--''
``Gold?'' Rachel said.
``Ayuh, chests and chests full of gold. There was gold jewelry, gold doubloons, gold bars from the Incas and the Aztecs and the Amazons. But they also found something else.''
``What?'' said Katy.
``Kids,'' said Dana. ``Two little kids: a boy and a girl, not much older than you yourselves.''


8.
``Where'd they come from?''
``From another boat they'd plundered, naturally,' Dana said. ``Why the pirates had let them live -- never mind brought them on board -- were questions no one could ever answer. My own guess is they planned to raise them for slaves.
``Now Black Skull -- who, as you might recall, came from a family of 12 -- was immediately taken with the children. He knew how lonely and sad they must have been, orphaned so sudden and cruel like that. And so, just before he sent that pirates' ship to Davy Jones locker, he adopted those kids as his own.''
``He was very nice,'' Katy said.
``I suspect any man worth his salt would have done the same. Like I told you, Black Skull was a good pirate. Weren't never any other kind to come from the state of Maine.''
``Is that the end of the story?'' Rachel said.


9.
``Almost,'' Dana said. ``All that's left is to tell you what Black Skull did with his gold. When he got back to Maine, he paid off his crew handsomely -- not a one ever had to work another day in his life -- and then he buried what was left -- chests and chests of gold -- in his secret cove. He built a house down the road a bit and set about raising his children. Once a year, when he needed money, he would go to his secret cove -- all alone, of course -- and dig up only what he needed. Legend has it that when he died, there was still seven chests left.''
``Awesome!'' Rachel said.
``Where's the gold now?'' Katy said.
``I figured you'd ask that,'' said Dana. ``Still somewhere in that cove. As to where, exactly, no one knows -- though that hasn't stopped folks from looking. I bet your folks might even let you look one of these days. And while you may never find Black Skull's gold, I can guarantee you'll find the best hard-shell clams anywhere on the East Coast. Make a fine chowder. You like chowder, girls?''
``Yuk,'' they said together.
``We like Spaghetti-Os.''
``We like chowder,'' said Mr. Morton.
``Love it, in fact,'' said his wife. ``With lobster.''
``Good enough,'' Dana said. ``'Course, you won't find Pirate's Cove on any map. Only the old-timers know where 'tis.''
Before he bid them goodnight, Dana gave the Mortons directions to Pirate's Cove.


10.
Two days later, after checking the tide chart, Mr. Morton and Rachel and Katy set off for Pirate's Cove. Mrs. Morton was gone for the day. She'd looked up an old college friend in Bangor and the two of them were off for some shopping.
The path to Pirate's Cover was an old fire road, but it had been years since it had been cut back. Pines and oaks formed a canopy overhead, blotting out the bright blue sky. Mr. Morton had to be careful not to let branches snap in the girls' faces as they started toward the sea.
``Look, Dad, blueberries!'' Rachel said.
``Maybe another day we can pick some,'' Mr. Morton said. ``Today we're going for clams.''
``And gold,'' said Katy.
``Silly, there isn't any gold,'' said Rachel. ``And there wasn't any Black Skull. That was just a story, right Dad?''
``I don't know about that,'' said Mr. Morton. ``I kind of believed Mr. Holbrook.''
``Dad...''
``Look,'' he said. ``There's the cove, straight ahead. Be careful on those rocks, girls.''


11.
The cove was even prettier than Dana had described. There were no houses anywhere in sight, only a thick blanket of evergreen bordering the rocks. Below the rocks was the beach: white sand littered with mussel and clam shells. The tide was low. Kelp was everywhere. The flats extended out toward a small island. At low-low tide, Dana had said, you could walk over.
``Perfect for clams,'' Mr. Morton said.
``Perfect for hermit crabs,'' said Rachel.
``Perfect for gold,'' said Katy. ``I hope I find a gold bracelet.''
The girls, each with a shovel and bucket, fanned out across the flats. Mr. Morton started digging with his rake. Dana hadn't been fooling. The clams were almost as plentiful as the sand. In ten minutes, his basket was half full.
``Find any gold?'' Mr. Morton asked.
``Nah,'' said Katy.
``Well you've certainly dug deep enough.''
``Can we go out to the island?'' Rachel said.
``Yeah, can we, Dad?''
``OK. Just be careful on the rocks.''
``We will.''


12.
The island was even better than the flats, the girls agreed. Sitting on its shore, the sky looked as big as the whole world. And the water was blue and perfectly still; only a few lobster pots disturbed the surface. Rachel found a horseshoe crab and a lobster claw. Katy found several green stones, for her rock collection.
``It's almost as good as gold,'' she said, dropping them into her bucket.
``I've never had a horseshoe crab before,'' said Rachel. ``I've always wanted one.''
``And I have more than enough clams for the best chowder this side of Boston,'' Mr. Morton said. ``Now it's time to go. The tide's coming in and we don't want to get stranded.''
``Because Black Skull might get us,'' Rachel said. ``Dana said to this day, he watches over his gold.''
``But he's a nice pirate,'' Katy protested.
``Yes he is,'' Mr. Morton said. ``Let's get a move on.''


13.
Nobody saw Katy fall.
One minute she was starting down a huge seaweed-covered rock. The next minute, she was at the bottom, crying and clutching her ankle.
``Katy, are you all right?'' Mr. Morton was upset. ``Oh, God. I never should have let you climb up there!''
Katy only cried.
As soon as he had a close look at her ankle, Mr. Morton knew. ``It's broken,'' he said.
``Poor Katy,'' Rachel said. ``Did she hit her head?''
``I don't think so,'' Mr. Morton said. ``Did you, honey?''
Katy shook her head. ``It hurts,'' she cried.
``I know it, honey. But the doctor will fix it up fine.''
``I don't want any needles!''
``You won't have to have any,'' Mr. Morton said. ``But we'll have to get you to a hospital.''
``Can she walk?''
``I'll have to carry her,'' Mr. Morton said. He hugged Katy. ``There, there, everything's going to be OK.''
He picked his daughter up. It had been a long time since he'd carried her any distance and the last year had been a growth spurt for Katy. ``Like a weed,'' the family liked to joke. But there was no choice. They could wait days in Pirate's Cove before anyone came along.


14.
Dana happened to drive by when Mr. Morton was loading Katy into the car back at the house. He gave Mr. Morton directions to Blue Hill Hospital and gave Katy his word that the doctors and nurses there were the nicest in the world.
``You know,'' he said, pulling Mr. Morton aside, ``I feel responsible. All that talk of Black Skull.''
``Don't be ridiculous,'' Mr. Morton said.
``You didn't even get your chowder.''
``You're right,'' Mr. Morton said. ``In our rush, we left everything behind.''
``Come on, Dad,'' Rachel said.
``Coming.''
``You sure you don't want to ride with me?'' Dana said one final time.
``We're all set,'' Mr. Morton said. ``If you can just make sure their mother sees my note. I didn't have her number.''


15.
They were three hours at the hospital. Katy got crutches and the nurse gave both girls giant lollipops. The doctor was the first to sign Katy's cast, which she would be wearing until just before kindergarten started in the fall.
``Watch that step!'' the doctor wrote.
Mrs. Morton was still out shopping when they got home. But somebody had been busy inside the cottage. A full pot of chowder was steaming on the stove and there were two fresh-caught two-pound lobsters and a big can of Spaghetti-Os in the refrigerator. The table was set and there was a bottle of wine and a six-pack of Coke.
But the biggest surprise was Rachel's bucket of shells and Katy's bucket of rocks, just as they'd left them at Pirate's Cove. Next to each bucket was a necklace and a bracelet.
``Gold!'' the girls gushed.
``And look at this,'' Mr. Morton said, picking up a note written in large, black letters. Across the top was a skull and cross bones.
``Dear Rachel and Katy,'' Mr. Morton read.
``Couldn't help but feel bad about how your visit to my cove turned out. Can't give you all my gold, but I hope this will help.
Enjoy your stay in Maine.
``Signed, Black Skull.
``P.S. Katy. Have your dad sign your cast for me.''

Written in a haunted house on Buck’s Harbor, Maine, in August 1990.

Wednesday, August 15, 2012

Grand Prize, Best Short, RI Film Fest

And the winner is ASAD, described by the filmmakers as a "coming-of-age fable" about a Somali boy, shot with a cast of Somali refugees, and directed by Bryan Buckley, best known as the award-winning director of Superbowl commercial, and now helming the screen adaptation of Men Are From Mars, Women Are From Venus, starring Reese Witherspoon.

I happened to be one of the 2012 finalist judges, and I rated it best of the 10 films I judged -- and most were very good. But even in this honored group, ASAD stood out. I watched it on the big screen Opening Night at Vets Theater and was blown away. The Grand Prize means ASAD is now entered into Oscar contention. May the Academy be similarly impressed... More about ASAD and other winners -- congrats to all -- at the festival site.

Tuesday, August 14, 2012

Manhattan, mid-day, Monday, August 13, 2012

Scenes of Manhattan, on a walk from Penn Station to 50th...

Garment District.


Times Square, west view.

View looking downtown from Times Square.


Only two people here are real.


Ground floor, 30 Rock.


Atlas, outside Rockefeller Center. has to be one of the most photographed objects in midtown.


Garden off Fifth.


Inside St. Patrick's Cathedral.


Our lady of Guadeloupe, St. Pat's.


Best shoeshine in the city: Drago, Penn Station, $4.

 

Saturday, August 11, 2012

Film Fest features documentaries

The 2012 Rhode Island International Film festival continued Saturday with screenings of three feature-length documentaries, including the Providence Journal's "Coming Home," shown at RISD's Metcalf Auditorium. Journal staff members and Iraq veteran John DiRaimo, who is in the film, joined a discussion.

Saturday's session, "Future Filmmaking: Digital Documentary Bridging Cultures," also included the world premiere of "The White Picket Fence Project," filmed in Kosovo and South Africa, followed by a discussion including filmmaker Valon Ymeri, pictured here with DiRaimo.

Also featured Saturday was the world premiere of Ian Thomas Ash's film "In The Grey Zone," about the Fukushima nuclear meltdown. Ash was on hand.

The six-day festival wraps up Sunday. Find the full festival schedule and ticket info at the festival site. 

Filmmaker Ymeri with Iraq veteran DiRaimo

Coming Home: DiRaimo on screen.   

Wednesday, August 8, 2012

Opening Night, 2012 R.I. Film Festival. Fun!

A fine evening Tuesday at the opening of the 2012 Rhode Island International Film Festival, six days of screenings, discussions and get-togethers that has the capitol city crawling with filmmakers from near and far. The Providence Journal, which is well represented throughout the festival, had a big presence at the opening at Veterans Memorial Auditorium. Longtime Trinity Rep actress Barbara Meek received an award. Seven shorts from six countries (South Africa, Afghanistan, Canada, France, Norway and England) were shown. Several were outstanding. Three are on my short list as a festival finalist judge (sorry, no further comment!).

With Yolanda, Vets lobby

In the lobby
Katy came, too.

Filmmakers Shachar Langlev, left, and Nitzan Mager arrive for the opening night screenings. Their film, Folkswagon, will be shown later in the week. The Providence Journal/ Connie Grosch

Doors to Vets
With festival founder and director George Marshall.